某外国(guó )城市，来(l某外国(guó )城市，来(lái )自(💕)韩(🏽)国的女演员(yuán )英熙，正因为(👀)和(📦)国(guó )内一个已(yǐ )婚男子(zǐ )的(🥣)恋情而(ér )备受压力，她放(fàng )弃(🎚)(qì(🚒) )了一切，甘受千(qiān )夫所指以(🔃)(yǐ(🍵) )此表明(míng )心迹。他(tā )说会去找(👹)他，但她(tā )并不相信。在熟(shú )识(🐰)的朋友(yǒu )家吃过(guò )饭，她去(qù(🥂) )了(💬)海边。她认为朋(péng )友不会理(✔)解(🥏)这段(duàn )感情，但(dàn )还是问(wèn )道(😒)：“他(tā )会像我思念他一样(yà(🤼)ng )思(💒)念我吗(ma )”
本片(piàn )讲述了三(sā(🐟)n )个(🎂)失意的女人：不愿意被客户(🏬)潜规(guī )则而愤然(rán )辞掉工(gō(🚞)ng )作(🎯)的美丽(lì )御姐盛绮珊、一(♿)(yī(📑) )个(gè )月被炒五次鱿鱼(yú )的职(🍓)场小(xiǎo )白夏思(sī )佳、因为(wé(🧥)i )使用飞机稿事件而(ér )身败名(🍨)裂(🤢)的广告(gào )界大神薛(xuē )云，三(🐲)(sā(♊)n )人在酒吧(ba )偶然相遇，因盛绮(qǐ(🏸) )珊出手解围薛云(yún )，而坐在(zà(🈶)i )一(🧦)起畅(chàng )谈，并临(lín )时起意一(🤣)起(🏸)开一家(jiā )广告公司(sī )，就这(zhè(💂) )样走上了(le )创业之路。然而(ér )这(🥉)一路并没有想象(xiàng )中顺畅，第(🛂)一(👜)个(gè )客户因为(wéi )夏思佳的懦(😹)弱自(zì )卑(bēi )惹怒客户被百般(🏦)(bān )刁难，难(nán )得的一(yī )次机会(🎠)可(🗼)(kě )以和薛云的老合作(zuò )搭(🔨)档(⏺)欧凯丽的大(dà )公司合作(zuò )，正(🥗)在(zài )签合同的(de )时候，没想到创(🕑)意(🤜)(yì )被盛绮珊男朋友(yǒu )周慕(😈)文(🎒)泄(xiè )露，直(zhí )接导致合(hé )作失(😺)败，三人的公(gōng )司名誉扫(sǎo )地(☝)，陷(xiàn )入危机……
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
It tells the story of Kim who lives with her overprotective parents and meets Jayson online. She then ends up moving to Seoul and starts a new life.
法国《电影手(🕳)(shǒ(⚪)u )册》2018年度期待榜单(dān )重点推荐(🔆)(jiàn )影片之(zhī )一，影片(piàn )采用16mm胶(🐌)片拍摄，具(jù )有极致的迷幻色(🥏)(sè(👮) )彩，影像(xiàng )超级大(dà )胆，故事(🤕)(shì(🐩) )讲述5个热爱艺术(shù )的(de )“野小子(🈹)”的罪(zuì )恶之行，让人想(xiǎng )到库(🤬)布(😛)里(lǐ )克的《发条橙》，而这5位“野(🌁)小(🚖)子(zǐ )”则正由(yóu )5位女演(yǎn )员“扮(📠)演(yǎn )”，涉及到了不少(shǎo )情色元(👩)素，探讨(tǎo )了性别结(jié )构。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
《四个(🛡)春(😳)天(tiān )》是一部以真实家(jiā )庭生(🐭)活为(wéi )背景的(de )纪录片。15岁离家(💸)，在异乡(xiāng )漂泊多年的导演以(🎟)(yǐ(🕠) )自己南方(fāng )小城里(lǐ )的父(⛔)母(🧠)为(wéi )主角，在四年光(guāng )阴(yīn )里(🌩)，以一己之力(lì )记录了他(tā )们(🐃)的(🐊)美(měi )丽日常。在如诗的乐活(➖)慢(🗽)生(shēng )活图景中，影像(xiàng )缓缓雕(📭)刻(kè )出一个(gè )幸福家庭(tíng )近(✡)二十年的温柔变(biàn )迁，以及他(🐮)们(🥡)如(rú )何以自己(jǐ )的方式面对(✖)流转(zhuǎn )的时间、人生的得(dé(🚚) )失起落。详情
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