师兄(xiōng )李昆(😷)师兄(xiōng )李昆(😷)在(zài )京剧演出(🔺)中打起了(le )广告。师弟(dì )侯(🔺)广(🐓)智(zhì )觉得李(🏎)昆侮辱了戏(👗)台,两人话(huà )不(🍶)投(tóu )机分道(👒)(dào )扬镳。五年(👅)后李昆靠演孙大圣(shèng )走穴(🍼)发(fā )家。侯广智(👲)则成了剧(🥃)团(🔘)(tuán )的孙大(dà(😇) )圣专(zhuān )业户(🌶)。 李昆联(lián )系到(🌊)一笔生意但(🛐)却需要(yào )侯(📊)广(🕳)智(zhì )的帮(bā(🎲)ng )助。侯广智答(🈂)应李(lǐ )昆来见(🚢)(jiàn )客户—(🦀)马(🌪)老(lǎo )板。马(mǎ(🔤) )老板最近迷(⏫)上了一个网(wǎ(😑)ng )红,并(bìng )准备(bèi )为她排(pá(🐽)i )一(🚌)部《真假美猴(💹)王(wáng )三打白(🔧)骨精(jīng )》。因(yīn )为(🈁)这违反了(🐃)京(🥂)剧传统,侯广(🛠)智(zhì )愤然(rán )拒绝。李昆偷(tō(❇)u )了祖师爷的戏(🐰)服签了合(👠)(hé(🤟) )同,愤(fèn )怒的(🛑)侯广智与李(🔄)昆再次(cì )决裂(😠)。但当(dāng )侯广(🌕)智(zhì )看到徒(📅)(tú(🕺) )弟们竭力招(📮)揽顾客时他(🤠)(tā )终于同(tóng )意(🍟)演(yǎn )出。 试(🏋)演(🍢)当天侯广(guǎ(🕋)ng )智潇洒(sǎ )上(📂)台,李昆(kūn )内心(🔞)对(duì )京剧的热忱被侯广(😋)智(🌩)唤(huàn )醒,他(tā(🌱) )配合(hé )着侯(🥋)广(guǎng )智说出了(🏎)原汁原味(💰)(wè(👸)i )的戏词。两(liǎ(🕦)ng )人合演(yǎn )了一版传统的《真(🐵)假美(měi )猴王》,这(🚇)(zhè )一刻所(🛒)(suǒ(👼) )有人都(dōu )感(👺)受到了京剧(🌃)的魅力。
本故事(👃)(shì )讲述的是(🤶)上世纪90年代(🦂)末(🎱)(mò )发生在(zà(👈)i )陕西(xī )关中(🐞)农(nóng )村的童(tó(🎹)ng )年故事。在(🍈)以(🕶)成绩高低(dī(🤥) )作为评(píng )判(🔙)学(xué )生好坏的(🎹)环境中,小学生(shēng )巴王超(⚫)过(🍗)在(zài )老师与(🥟)(yǔ )家长的眼(🙊)中是那种不学(🐩)(xué )无术的(🐞)(de )“渣(🎺)(zhā )滓”。得不到(㊙)家长和老师(shī )认同的巴王(🚓)(wáng )超过,将田野(⛔)里一棵可(🛤)以(🛏)栖息(xī )的大(🏑)树(shù )变成(ché(🐸)ng )了自己(jǐ )的“好(😄)(hǎo )地方”,并将(🚲)所有“好(hǎo )玩(🥞)”的(de )东西都藏在(🈹)了那棵大树(🆒)(shù )的上面(miàn )。孩(👳)(hái )子的天(🎳)(tiā(🔔)n )性,让(ràng )巴王(🚡)超过与成人(💌)世界充(chōng )满了(🈺)斗(dòu )争,直到有一天,他的(😷)(de )处(🚖)境因(yīn )为前(🙁)来支教(jiāo )的(♋)粉提(tí )老师而(🤨)改变了!粉(🐼)提(🎙)老(lǎo )师让他(🈁)(tā )负责(zé )班级里(lǐ )的图书(🚫)管理员,同时他(🍝)也与女(nǚ(🎪) )老(💱)师成(chéng )了好(🏤)朋友,他的“好(👓)地(dì )方”也(yě )成(💺)了(le )女老师(shī(🗜) )的“好(hǎo )地方(⏲)”。然而好景不长(🈸)(zhǎng ),他在(zài )粉(🚥)提老师面前特(🤟)殊的待(dà(✒)i )遇(🚡),又(yòu )因为(wé(👩)i )粉提老(lǎo )师(😯)的男(nán )朋友的(🙂)到来而改变了……
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
2012年的(🎢)(de )叙(🐺)利(lì )亚迎来(🐎)了史上最严(🎄)酷寒冬(dōng ),桑娜(🌱)只希(xī )望(🎈)找(♋)个(gè )煤气罐(🥜)为儿子做一顿晚(wǎn )餐。她(tā(🎪) )为了(le )搜寻煤(mé(🎉)i )气罐请了(😑)一(👾)天假,突然发(✋)现自(zì )己陷(🐥)入(rù )了战乱区(🤕);她发现,战(🏘)(zhàn )争中的(de )人(🐰)们(men )都没有(yǒu )了影子(zǐ )。本片(🍺)获第75届威尼斯(🥏)电(diàn )影节(🎢)银(🔭)(yín )狮奖。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
《驴为(👌)媒》故事(shì )发(⚾)生在(zài )当下鲁(🙈)西大(dà )地上的(de )聊城市,讲(👨)述(📙)的是在京(jī(😼)ng )打拼多(duō )年(🚝)的(de )有志青年,得(📂)知老家惠(🚽)民(🏍)(mín )政策后,回(🛃)(huí )乡养驴(lǘ )、带领村民脱(💃)贫致富,实现自(zì )己创(chuà(🏃)ng )业(🍑)梦,并赢得爱(👰)情的故事;讲(😹)述了党的(de )精准(🔴)扶(fú )贫政策(🥕)和乡村振兴(🥅)战略(luè )在齐鲁(lǔ )大地(dì )的(📺)生动(dòng )实践,展(🏴)现了基层(🍤)党(🎧)员干部在(zà(🎒)i )全面建(jiàn )成(🚐)小康社会进程(🎃)中的“主心骨(gǔ )”形象。电(dià(🗑)n )影(🏂)《驴(lǘ )为媒》坚(🏽)持“小成本、(🌈)大情怀(huái )、正(🔡)(zhèng )能量”的(👼)创(🚖)作宗旨,紧扣(⚪)(kòu )当前乡村振(zhèn )兴和精(jī(🐯)ng )准扶贫主题,将社会效(xià(🏸)o )益(🍔)、价(jià )值引(❗)(yǐn )领放在(zà(🛳)i )首位,引导人们(🖋)努力实现个(🈯)人(rén )前途与(🚪)(yǔ )国家命运、个体经历与(🥖)(yǔ )时代大(dà )潮(📉)、个体情(🚉)(qí(🎻)ng )感与国(guó )家(💆)情感的同频(🕓)共振,激(jī )励人(🍠)们(men )向上向善,自觉践行社(🌉)(shè(🆘) )会主义(yì )核(🆚)心价值观(guā(👘)n ),讴歌(gē )党、讴(🚊)歌人民、(🎃)讴(🔞)歌新(xīn )时代(🥂)。详情